Fleda had fully recognized, the first days, that, quite apart from any question of letting Owen know where she was, it would be a charity to give him some sign: it would be weak, it would be ugly, to be diverted from that kindness by the fact that Mrs. Gereth had attached a tinkling bell to it. A frank relation with him was only superficially discredited: she ought for his own sake to send him a word of cheer. So she repeatedly reasoned, but she as repeatedly delayed performance: if her general plan had been to be as still as a mouse, an interview like the interview at Ricks would be an odd contribution to that ideal. Therefore with a confused preference of practice to theory she let the days go by; she felt that nothing was so imperative as the gain of precious time. She shouldn't be able to stay with her father forever, but she might now reap the benefit of having married her sister. Maggie's union had been built up round a small spare room. Concealed in this apartment she might try to paint again, and abetted by the grateful Maggie—for Maggie at least was grateful—she might try to dispose of her work. She had not indeed struggled with a brush since her visit to Waterbath, where the sight of the family splotches had put her immensely on her guard. Poynton moreover had been an impossible place for producing; no active art could flourish there but a Buddhistic contemplation. It had stripped its mistress clean of all feeble accomplishments; her hands were imbrued neither with ink nor with water-color. Close to Fleda's present abode was the little shop of a man who mounted and framed pictures and desolately dealt in artists' materials. She sometimes paused before it to look at a couple of shy experiments for which its dull window constituted publicity, small studies placed there for sale and full of warning to a young lady without fortune and without talent. Some such young lady had brought them forth in sorrow; some such young lady, to see if they had been snapped up, had passed and repassed as helplessly as she herself was doing. They never had been, they never would be, snapped up; yet they were quite above the actual attainment of some other young ladies. It was a matter of discipline with Fleda to take an occasional lesson from them; besides which, when she now quitted the house, she had to look for reasons after she was out. The only place to find them was in the shop-windows. They made her feel like a servant-girl taking her "afternoon," but that didn't signify: perhaps some day she would resemble such a person still more closely. This continued a fortnight, at the end of which the feeling was suddenly dissipated. She had stopped as usual in the presence of the little pictures; then, as she turned away, she had found herself face to face with Owen Gereth. "Well, I am, and I'm the person most concerned. Of course I didn't use just those words: I was perfectly civil, quite as civil as she. But I told her I didn't consider she had a right to put me any such question. I said I wasn't sure that even Mona had, with the extraordinary line, you know, that Mona has taken. At any rate the whole thing, the way I put it, was between Mona and me; and between Mona and me, if she didn't mind, it would just have to remain."!

Owen held her hand very firmly and kept it even after an effort made by her to recover it—an effort not repeated, as she felt it best not to show she was flurried. That solution—of her living with him at Ricks—disposed of him beautifully, and disposed not less so of herself; it disposed admirably too of Mrs. Gereth. Fleda could only vainly wonder how it provided for poor Mona. While he looked at her, grasping her hand, she felt that now indeed she was paying for his mother's extravagance at Poynton—the vividness of that lady's public plea that little Fleda Vetch was the person to insure the general peace. It was to that vividness poor Owen had come back, and if Mrs. Gereth had had more discretion little Fleda Vetch wouldn't have been in a predicament. She saw that Owen had at this moment his sharpest necessity of speech, and so long as he didn't release her hand she could only submit to him. Her defense would be perhaps to look blank and hard; so she looked as blank and as hard as she could, with the reward of an immediate sense that this was not a bit what he wanted. It even made him hang fire, as if he were suddenly ashamed of himself, were recalled to some idea of duty and of honor. Yet he none the less brought it out. "There's one thing I dare say I ought to tell you, if you're going so kindly to act for me; though of course you'll see for yourself it's a thing it won't do to tell her." What was it? He made her wait for it again, and while she waited, under firm coercion, she had the extraordinary impression that Owen's simplicity was in eclipse. His natural honesty was like the scent of a flower, and she felt at this moment as if her nose had been brushed by the bloom without the odor. The allusion was undoubtedly to his mother; and was not what he meant about the matter in question the opposite of what he said—that it just would do to tell her? It would have been the first time he had said the opposite of what he meant, and there was certainly a fascination in the phenomenon, as well as a challenge to suspense in the ambiguity. "It's just that I understand from Mona, you know," he stammered; "it's just that she has made no bones about bringing home to me—" He tried to laugh, and in the effort he faltered again. "Yesterday morning. I saw him."

"I see in it simply what must be, if you've a single spark of pity. Where on earth was the double game, when you've behaved like such a saint? You've been beautiful, you've been exquisite, and all our trouble is over." "Yesterday?" "I?—" The inquiry seemed to have moved him to stupefaction. "Can you ask me that question when I only wanted to please you? Didn't you seem to show me, in your wonderful way, that that was exactly how? I didn't break off just on purpose to leave it to her. I didn't break off so that there shouldn't be a thing to be said against me."